Frank Mullings was one of the pre-eminent English dramatic tenors of his time, at home in verismo and late Verdi, and of course in oratorio.

Verdi - Aida - Nile Duet. From Finale, Act III
Aida - Nile Duet. From Finale, Act III. Part I (VS pp239-244)
Aida - Nile Duet. From Finale, Act III. Part II (VS pp244-249)
Orchestra, Hamilton Harty
Frank Mullings, tenor - Radames
Elsa Stralia, soprano - Aida

Mediafire link for Aida - Nile Duet - Frank Mullings, Elsa Stralia - Hamilton Harty

(This is an mp3 file – left click the link, download the file)

Columbia 7248/9
Matrices 74063-2, 74064-2
Recorded about 3rd May 1920, 80rpm
Available from January 1921 to April 1924

This duet was reissued on double sided Columbia 7334 in April 1924, and was available in this form until August 1930

Bizet - Carmen - My Mother I Behold (Act I)
Orchestra, Sir Hamilton Harty
Elsa Stralia, soprano
Frank Mullings, tenor

Bizet - Carmen - My Mother I Behold - Stralia, Mullings, Harty

(mp3 file – click to play, or right click the link, then select “Save as”)

Columbia 7258
Matrix 74106-2
Recorded c 14th May 1920
Available from March 1922 to April 1924

Plays at 83.7rpm
This was reissued on double sided 7332 in April 1924, coupled with Stralia's 1920 account of Micaela's aria.
This was available until January 1925 when the Micaela aria was replaced with a 1924 remake - this new issue was available 22nd January 1925 to August 1930.

Handel – Messiah – Comfort ye, my people; Ev’ry valley shall be exalted
Frank Mullings, tenor
Orchestra, Albert W Ketelbey

Columbia L1452
Matrices: 75189-1, 75190-2
Recorded 19th September 1922

Handel - Semele - Where’er you walk
Handel - Jephtha - Deeper and Deeper Still
Orchestra, Clarence Raybould
Frank Mullings, tenor

Columbia 9350
Matrices WAX 1898-1, 1900-1 (6585, 6583)
Recorded 13th September 1926
Available from 12th February 1928 to January 1937

This was a reissue of L1344, available from October 1926 to February 1928. An earlier version of L1344 was available from February 1920 to October 1926 - with recordings made on 5th May 1919, with Hamilton Harty conducting.

Curiously, although the Semele aria maintains correct pitch, the Jephtha increases speed slightly. The Jephtha aria is also notable for the variety of tone colour used by Mullings.